g r a z i e l l a p i n t o
São Paulo, 1977
The artist aims for formal simplification. Her work features a proliferation of circles in which a play of tonality, dimension and movement refer back to the primordial shape, signifying birth, union, junction and the communion between macro and micro. The frequent presence of this element paths the artist’s desire for equilibrium, homogeneity, regularity and symmetry.
With time this equilibrium is affected by other elements like fruits, flowers and birds that the artist adds to her images, materialising the cohabitation of life and art.